A group that has been called the "hardest rocking chamber-music quartet" by some advocates will be performing at Emory this month. Birdsongs of the Mesozoic blend classical, rock, minimalist, jazz and free-form improvisational sounds to achieve their unique style. Their eclectic aesthetic has a broad appeal; at a typical Birdsong's concert, ages range from eight to 80. Billboard magazine has described their sound as "a mesmerizing instrumental venture into the space-age jungle." The Roanoke Times and World News wrote that "if Beethoven were alive today he might even want to sit in with these guys." The group will present a lecture demonstration at 2:30 p.m., March 16, in 208 White Hall and a concert at 8:15 p.m. on March 17 in Cannon Chapel.
Their repertory consists primarily of original compositions, with all four band members contributing. Their choice of non-original pieces, such as Brian Eno's "Somber Reptiles," Terry Riley's In C and the theme from "The Simpsons" perhaps best defines the group's stylistic parameters.
Instrumenta-tion consists of piano, two synthesizers, guitar and saxophone with electronic and acoustic percussion. The group's creative use of sound incorporates such unusual "instruments" as an abbreviated clarinet, a five-gallon paint can, a Mercury Cougar hubcap and a washboard.
Founded in 1980, Birdsongs has released material on the Ryodisc, Cuneiform and Ace of Hearts labels. Members include Ken Field, saxophones/flute/synthesizer/percussion; Erik Lindgren, piano/acoustic and electronic percussion/trumpet; Rick Scott, synthesizer/percussion/abbreviated clarinet; and Michael Bierylo, guitar and percussion.
The lecture/demonstration is free; tickets for the concert are $10 and are available by calling 727-6187.
-- Joyce Bell