Newsletter  Volume 3 Issue 10
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February 20
Lunch Colloquium
February 20
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find out about a travel destination or find other EUEC members who would like to travel with you, send an email to:

Find other members to get together for shared interests, whether it is forming a book club or a photography club, or getting together to take a hike.  Send email to the following link to contact member who would like the same activity!

 

   

 
February 13, 2017
This issue of our newsletter is sent to members and friends of the Emory University Emeritus College (EUEC). I hope the newsletter will help keep you informed about our activities and help you feel connected with our members throughout the U.S.  On the left are links to our website and links to contact either me or the EUEC office.   
 
With best wishes,
Gray 

Gray F. Crouse
Director, EUEC
In this Issue:
DirectorMessage from the Director
  

This past week saw the inauguration of Emory's 20th, and first female, president.  The significance of Claire Sterk's inauguration was not lost on the crowd that celebrated the event.  However, it is a particularly difficult time to be the president of a major research university, especially one that reaches as globally as Emory does.  Finding sufficient resources to finance such an expensive operation is always difficult, and increasing need for financial aid and resistance to tuition increases do not help.  The great uncertainty in the healthcare market is a major concern for Emory with its large clinic and hospital component.  Added to those continuing problems are now the issues of how undocumented students will be treated and the effects of a travel ban that has already affected members of the Emory community.  As illustrated by the protest on her inauguration day (see below), there is no honeymoon for President Sterk.

 

Although we are by no means insulated from the concerns of the broader University community, we can at least experience the joys of intellectual engagement with our colleagues.  Last week we had another full house to hear Clark Poling talk about surrealism in art, and next week we will journey to the Alps with Caroline Schaumann, a leader in the new field of ecocriticism.

 

I am very grateful to John Bugge, Herb Benario, and Gretchen Schulz for help with proofing and editing.  
 
LCFeb20TopLunch Colloquium February 20





Icecapades: James David Forbes and Louis Agassiz in the Alps


The Luce Center 
11:30-1:00 
Room 130







Caroline Schaumann, Associate Professor of German Studies

Click here to read more below about this Lunch Colloquium 
LCFeb6TopLunch Colloquium February 6




Surrealist Themes


The Luce Center 
11:30-1:30 
Room 130





Clark Poling, Professor Emeritus of Art History

Click here to read below about this Colloquium 
InMemTop

We note the passing of EUEC Member Doris Zumpe.

Click here to read more below



A summary of the University Faculty Council meeting of January 17, 2017, can be found by clicking here.  Included in the summary is the report to the Faculty Council by John Bugge and Mike Kutner about the faculty survey on establishment of a faculty club and the unanimous vote of the Faculty Council to support the Planning Committee in its work.




The Inauguration of Claire Sterk as Emory's 20th president took place last Wednesday, February 8.  In addition to many Emory faculty in the procession, there were delegates representing 170 colleges and universities.  Many of those delegates were alumni representing their alma maters.  EUEC members were well represented among both the faculty and the delegates.  You may read about the Inauguration by clicking here.

Travel and Immigration

February 8 Sanctuary Demonstration--The Wheel

As one might imagine, there have been considerable upset and protest on campus due to the policies of the incoming Trump administration.  An email sent on January 18 from the Dean of Campus Life and the Interim Provost detailed various support services available for DACA (Deferred Action for Childhood Arrivals) and undocumented students.  Emails sent by the College on January 28 and Claire Sterk on January 29 spoke to issues concerning the newly imposed travel ban.   An email from Claire Sterk on February 6 spoke of the letter that she and 47 other university and college presidents sent to President Trump concerning the travel ban.  These communications have in part been in response to calls on campus that Emory be designated a "Sanctuary Campus."  The above picture is of a demonstration held on February 8 during the Inauguration, protesting against a declaration that Emory would not designate itself a "Sanctuary Campus."  An article about the demonstration in The Emory Wheel can be read by clicking here.  Those of you living in Georgia are well aware of the difficult political environment in the state, in addition to that at the federal level, with many state legislators very willing to cut off all state funds to any institution that would be a "Sanctuary Campus."  Although the issues of the travel ban and concerns about undocumented students are separate and for the most part affect different members of the University community, they both have contributed to considerable concern and unrest on campus.


LCFeb20BotLunch Colloquium February 20


Icecapades: James David Forbes and Louis Agassiz in the Alps 

Caroline Schaumann, Associate Professor of German Studies 

In August 1841, the Scottish physicist James Forbes and the Swiss biologist Louis Agassiz together scaled the Jungfrau (4,158 m. /13,642 ft.) in the Alpine mountain's fourth ascent.  They had met that year while camped out on the ice, both fascinated by glaciers and the new theory of an ice age.  Soon, however, they would find themselves engaged in a bitter dispute, on non-speaking terms.  This presentation uses their descriptions of scientific research on snow and ice to tease out some key aspects of the emergence of mountaineering narratives in the nineteenth century in the context of science, aesthetics, and gender, a subject central to Caroline's current book project on that century's depictions of explorations in the Alps and also in the Andes and the Sierra Nevada.  There's little doubt that this book, like the earlier Heights of Reflection: Mountains in the German Imagination from the Middle Ages to the Twenty-First Century, which she co-edited in 2012, will confirm her status as a leader in the new field of ecocriticism, the study of environmental concerns reflected in literature (and the other arts) that has come to the fore as our increasing consciousness of such concerns has done the same.

 

About Caroline Schaumann

Emory College is at the forefront of an emerging field that examines disparate works in a bid to answer what the humanities can offer to further understanding of the world's unfolding environmental crisis.  "We are looking at the literature from a new point of view," says Caroline Schaumann, who has become a leader in ecocriticism, a study of the environment and literature that has gained traction in the wake of climate change.  "I think it's very important to look at climate change and the other environmental concerns as they are depicted in the literature because all the science depends on how it is portrayed to the public."

 

A native of Berlin, Caroline Schaumann received her Ph.D. in German Studies at the University of California at Davis, with designated emphases in Critical Theory as well as Feminist Theory and Research. After teaching as a visiting assistant professor at Middlebury College, Schaumann joined the Department of German Studies at Emory University in 2002. She received a grant from the Holocaust Memorial Museum for developing Holocaust courses, and was part of the American Association of Teachers of German's TraiNDaF class of 2001, established to build future leaders in the field of teaching German. In 2006, Schaumann was awarded a grant to complete research at the Deutsches Literaturarchiv Marbach. She recently received a Humboldt Fellowship for Experienced Researchers at the Freie Universität Berlin 2010-13.

 

Schaumann's current research entails the representation of nature, mountains, and mountaineering in film and literature. Looking at a transnational dialogue within Europe and crossing over to South and North America, her book project examines nineteenth-century depictions of exploration in the Alps, the Andes, and the Sierra Nevada. Here she considers the cultural shifts in the perception, written text, and imagery of mountains that not only reveal much about tourism, leisure, and the discontents of modernity, but also shed light on culturally constructed notions of wilderness and national identity. This research also resulted in the anthology Heights of Reflection: Mountains in the German Imagination from the Middle Ages to the Twenty-First Century (June 2012), co-edited with Sean Ireton.  Schaumann's previous research project focused on the interaction of historical events, social change, and cultural memory. Her monograph, Memory Matters: Generational Responses to Germany's Nazi Past in Recent Women's Literature (2008), considers contemporary German literature and German-Jewish literature in the aftermath of the Holocaust with a specific emphasis on the changing discourse after German reunification. In addition to these books, she has published thirteen articles in refereed journals, books, and anthologies, and presented more than twenty papers at national and international conferences.

 

Schaumann is an affiliated faculty member in Jewish Studies and Film Studies and teaches an entire range of German and interdisciplinary courses at Emory, from freshman seminars and German as a second language to film and advanced courses on German literature and culture.

 

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LCFeb6BotLunch Colloquium February 6


Surrealist Themes

Clark Poling, Professor Emeritus of Art History
   
First, I must say what a great pleasure it was to hear Clark speak after his absence from Atlanta for a number of years.

Clark began by defining the three themes of the Surrealist movement, which began early in the 20th century in the aftermath of World War I. These themes were: 1. War and Violence. 2. The Psychoanalysis of Sex, and 3. The Creation of Personal Mythology.

1921 saw an exhibition of Dada Art, which included numerous collages by Max Ernst. These collages, which included printed materials, provided a critique of the middle class. Dada was the immediate forerunner of Surrealism, which voiced many of the same concerns.

The Surrealist Manifesto, written by André Breton, appeared in 1924. Breton, like many of the artists who initiated Surrealism, had fought and been wounded in the war, and suffered what today we would call Post-Traumatic Stress Disorder. Much of the Surrealist work was anti-war as well as anti-society.

The Surrealists used techniques which enabled them to leave much to chance, and to tap certain psychological states. These techniques included automatism in both drawing and writing, collage, and use of objets trouvés (this term indicates that the objects are both lost and found). Another technique is the Exquisite Corpse, developed by Man Ray, an American artist who moved to Paris. In this technique, multiple artists worked on a single drawing, continuing a process, but not being able to see what the preceding artists had done until the work was complete.

Clark singled out n
umerous artists for comment. These included Max Ernst, André Masson, the sculptor Alberto Giacometti, Salvador Dali, and Pablo Picasso, who had many connections to Surrealism, though he was not truly a Surrealist. An example of this connection was his Woman as Praying Mantis. Females of this variety of insect are known to kill their mate immediately following copulation. In this way Picasso combined two Surrealist themes: sex and violence.

There were few women artists in this movement, but they included Valentine Hugo and Meret Oppenheim, whose Fur-Covered Teacup is well-known.



In addition to the trauma of World War I, the Surrealists explored dream states and Freudian psychology, focusing especially on the Oedipus complex, including the competition between the boy/young man and the father. Sexuality was an important theme. Symbols included the minotaur, the rabbit, and the lion.

Mexican artist Frieda Kahlo created a strong personal mythology, as can be seen in her Self-Portrait Wearing Thorn Necklace. She sees herself as exotic, part of nature, and frequently references her physical suffering, in this case alluding to the suffering of Christ.

Some of the ambiguities of another major interest, gender identity, can be seen in the work (and lives) of Marcel Duchamp and Claude Cahun (Lucy Schwab), which makes these artists feel particularly contemporary.

Clark's lecture was so richly detailed and informative that I find it impossible to do justice to it here. You just had to be there!

--Katherine Mitchell

Because of copyright restrictions on some of the art, the video for this Lunch Colloquium cannot be made publicly available.  However, a link to view the video will be sent to members requesting it (email: gcrouse@emory.edu).
FABotFaculty Activities

Ronald Schuchard

Goodrich C. White Professor of English, Emeritus

 

 
 

RONALD SCHUCHARD READS HEANEY'S AENEID

THURSDAY, FEBRUARY 16
7:30 PM, ACKERMAN HALL, LEVEL THREE, CARLOS MUSEUM

 

Ronald Schuchard, Goodrich C. White Professor Emeritus in Emory's Department of English, reads from Nobel Laureate Seamus Heaney's posthumously published and deeply personal translation of Aeneid, Book VI.

 

  "...no myth, perhaps, had a longer grip on Heaney's imagination than the reunion with the beloved dead represented by Aeneas' journey to the underworld in Book VI of Virgil's Aeneid."  -The New York Times

 

"A pitch-perfect translation...it is best read aloud-it comes thrillingly to life."  -The Guardian

 

This event is co-sponsored by the Stuart A. Rose Manuscript, Archives, and Rare Book Library. It is free and open to the Emory community and the public.

 


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InMemBotIn Memoriam

 

 

 

EUEC Member Doris Zumpe died on February 7, 2017.  She was born on May 18, 1940, in Germany.  For her scientific training, she spent four years working with the future Nobel Laureate Konrad Lorenz at the Max Planck Institute for Behavioral Physiology in Seewiesen.  She then moved to London and received her PhD in the Institute of Psychiatry of the University of London in 1970 doing research on the effects of hormones on the behavior of rhesus monkeys in the laboratory of Richard Michael. In 1972, the entire laboratory moved to the Department of Psychiatry at Emory, with Doris receiving a recommendation for the position from Lorenz.  Doris and Richard continued their very productive collaboration until Doris retired in 2005 as Professor Emerita of Psychiatry and Behavioral Sciences.  Together they co-authored two books, Notes on the elements of behavioral science and Neuroendocrine aspects of primate sexual behavior, and published countless scientific articles on neuroendocrine mechanisms associated with sexual behavior in primates.  She also taught an undergraduate course in human and animal behavior in the Biology Department from 1992 until her retirement.  Doris was an accomplished musician, playing both the cello and viola da gamba in a Lauda Musicam group locally.  In recent years, Doris had suffered from increasing dementia, the onset of which she attributed at least in part to the starvation she experienced in postwar Germany.  There will not be a memorial service as per her wishes. 


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WalkBotWalking the campus with Dianne
 
Our last stop was at the Brumley Bridge:  it's located on Haygood Drive and connects the Health Sciences Research Building to the Emory Children's Center.  It is named for George W. Brumley Jr., chair of the School of Medicine's Department of Pediatrics and a recipient of the Thomas Jefferson Award for service to the University. 

Brumley and his family established the Zeist Foundation in 1989 to support children's medical clinics, hospice care, juvenile justice programs, and other philanthropies.  He, his wife Jean, and 10 other members of their family died in a plane crash on Mount Kenya in 2003. 

Here's a couple of links that will give you more information on the bridge. 

http://www.emory.edu/EMORY_MAGAZINE/issues/2013/spring/inspired_spaces/bridge.html 

http://architecturetourist.blogspot.com/2013/02/jaw-drop-emorys-new-marble-clad-brumley.html

 I've included a night-time panoramic photo of the bridge below.  


     

Our next photo is of a structure a bit closer to the Emeritus home (a hint!).  I'm sure quite a few of you will recognize the building shown below.

Where will you find this on the Emory campus?  

 
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Emory University Emeritus College

The Luce Center
825 Houston Mill Road NE #206

Atlanta, GA 30329

   

Emory University Emeritus College, The Luce Center, 825 Houston Mill Road NE #206, Atlanta, GA 30329
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